![]() ![]() Rather he rotated his easel around the plaster cast and fruit, capturing the image from numerous angles. The reason for this distortion is because Cézanne did not paint the composition from one position. However the taller bowl is from the internal painting and there are two blue cloths rather than one that reaches from the painting down to the table. The two bowls of fruit on the right hand side of the painting appear to be placed next to each other. The perspective of the painting is distorted and the picture in the backdrop appears to be closer to the floor than the table. Whereas the fruit bowl in the forefront is on the same plane as the cupid, the painting behind him is pointing away from him. The position of the cupid is at odds with the objects placed behind him. The inspiration behind Still Life with Plaster Cast was to create a piece of beauty that was unconventional in its subject matter - Cézanne did not look at his art as a static entity.Ĭomposition: The plaster cast of cupid in the center of the image grabs the viewer's attention. Hailing from a rich family he did not have to make money from his work and thus created pieces for his own satisfaction, knowing that only a few select collectors were interested in his work. Paul Cézanne did not create Still Life with Plaster Cast for anything other than his own enjoyment. Additionally he used light blues and dirty whites to produce the shades of the plaster cast. He had been inspired by Pissarro's color palette to paint his fruit looking luscious and fresh with bright greens, reds and yellows. Camille Pissarro was Cézanne's closest influence and in Still Life with Plaster Cast Cézanne utilized many lighter colors that he had previously steered away from. Yet, he was inspired by other painters when creating his works. Paul Cézanne was first and foremost an original who paved the way for other modern artists. The showcase was very popular with a new audience who liked what he was doing in the studio. After criticism and refusal to enter his works in mainstream exhibitions in 1895 Cézanne agreed with art dealer Ambroise Vollard to show his pieces in a solo exhibition. The relationship between the natural and the mystical had been dealt with before (for example in Botticelli's Primavera) but Cézanne added a new element with his abstract tendencies. Not only was it a still life diverging from reality, but it was also mixing the mystical with the ordinary. Cézanne's Still Life with Plaster Cast was also unusual because of its subject matter choice. Cézanne was playing with the complex nature of art and reality and he enjoyed expanding true images. In fact, there are two blue cloths in the painting. However there is a blue cloth that appears to drape down from the picture of the bowl to the table. The armless plaster cast (a plaster cast of cupid) is stood next to a painting of a bowl that appears to be holding two onions. ![]() A dirty white colored plaster cast of a young boy with no arms is stood on a table among some fruit. In Still Life with Plaster Cast there is a clear distorting of the image. This work is often seen as one of the most radical compositions that Cézanne produced due to its abstract tendencies that heralded the coming of the Cubist movement. Paul Cézanne completed his composition Still Life with Plaster Cast in 1894 and as well as being one of the last paintings he completed in his career, it is one of his more famous still lifes. Paul Cézanne painted too slowly to use food before it went rotten and instead had to use plastic foods. The unidentifiable food in the image, which some art historians refer to as apples and onions, was not modeled on real food. Portrait of the Artist's Father Louis-Auguste Cézanne Reading. ![]()
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